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Petroglyphs of the Northern Ute Indian Reservation as Interpreted by Clifford Duncan (American Philosophical Society Transactions 105 Part 5)
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Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4)
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People must be educated about the rock art. That’s how it will be protected. —Clifford Duncan
Clifford Duncan, a Northern Ute elder, believed in educating the public to know and understand the meaning of Ute petroglyphs. By doing this, he believed it would help to preserve and protect them. Over the course of eight years, Clifford and the author visited and revisited all of these sites, discussing what they might represent. Clifford’s father was an Uncompahgre Ute and wanted Clifford to know the traditional homelands of the Uncompahgres in western Colorado. Clifford made special trips all through the Uncompahgre Plateau (by car, on foot, and on horseback), seeking out any Ute petroglyphs and cultural sites. Later in his life, he and the author visited many of the petroglyphs on the Uintah–Ouray Reservation, along Hill Creek and Willow Creek. These petroglyphs were authored by the Uncompahgre and White River Utes.
The interpretations of the petroglyphs of western Colorado and the Uintah– Ouray Reservation are supplemented with cultural and political history to provide a background context to Clifford’s interpretations. In addition, ethnographic information from other scholars provides readers with a deep appreciation as to what makes Ute petroglyphs so unique and fascinating.
Anthropologist Carol Patterson was Adjunct Professor for Colorado Mesa University and Metropolitan State University, Colorado. She is principal investigator for Urraca Archaeology, Montrose, Colorado. Recent publications include Shavano Valley Petroglyph Guide (2015) and “Concepts of Spirt in Rock Art According to Clifford Duncan, Ute Spiritual Elder,” in Sacred Landscapes, One World Archaeology Series (2014). Dr. Patterson’s earlier publications include Petroglyphs and Pueblo Myths of the Rio Grande and On the Trail of Spiderwoman, Pictographs and Petroglyphs of the Southwest (1997).
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This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.
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Elin’s Amerika (rev., 3rd ed.)
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Speaking in Tongues: APS, Transactions (Vol. 106, Part 4) 2016
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Award-winning children’s author Marguerite de Angeli tells the story of Elin, a young girl who has come to live in the New Sweden Colony. She helps us envision how these many different peoples -- Swedes, Finns, Lenape, Minquas (Susquehannock), Dutch and British related to one another. Elin’s search for friendship, love of family, and anticipation of celebrations seem familiar. Her isolation from other children, lack of basic things, and the daily routine of chores may seem quite unfamiliar. New Sweden was established in 1638, under the guidance of Peter Minuit, when Swedish colonists were sent to the New World to claim lands in the area around the Delaware River in southeastern PA and south NJ. For ages 8-12. Illustrations.
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Raised in a Lebanese mountain village, Fedwa Malti-Douglas came to America at the age of 13. After a rich academic career, Professor Malti-Douglas turned her attention to other muses, publishing a novel (Hisland, SUNY Press) in 1998, and poetry (including a chapbook of visual poetry). Fedwa’s honors include the 1997 Kuwait Prize in Arts and letters, and the National Humanities Medal for 2014, presented in 2015 by President Barack Obama. This volume tells the story of a family torn apart by divorce, death, and exile, and reunited by an inherited form of muscular dystrophy. It has been praised as “a memoir of unpitying clarity,” “deeply moving and arresting,” which “crosses landscapes of sadness, of happiness, of pain and peace, of alienation and acceptance, toward a healing enlargement of the soul.” Color photos.
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Dean and the Historian: Their Lives and Times through Letters
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The House of Barnes: The Man, The Collection, The Controversy (Memoir Vol. 266)
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William S. Middleton, a graduate of the Univ. of PA School of Med., taught thousands of students during his 63 years at the Univ. of Wisconsin (UW) School of Med. One of his most important decisions was to establish a medical history dep’t. and appoint as its first chair, Erwin Ackerknecht, the pioneering medical historian. The correspondence between the dean and the historian began in 1947 and continued until 1974. Both men fought for causes they believed in: Middleton for improved veterans’ healthcare, better training of physicians, and the establishment of medical libraries; and Ackernecht for a social view of medicine and rejection of fascism in education. The letters show how these two outstanding men viewed the world and viewed themselves, as they discuss their daily lives and concerns, and above all, their friendship. Illus.
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The House of Barnes: The Man, The Collection, The Controversy is a beautifully written study of the extraordinary art collector and volatile personality Albert C. Barnes. The book places him in the context of his own era, shedding new light on the ideas and movements (about art collecting, education, and aesthetics) that shaped so much of his thinking.
The Barnes’ major holdings of largely post-impressionist art include more than 800 paintings, with a strong focus on Renoir (181 canvases), Cézanne (69), Matisse (59), and Picasso (46 paintings and drawings). In its entirety, it is the greatest single collection of such art that has remained intact.
The last chapters of the book address the controversial events surrounding the Barnes Foundation’s move to Philadelphia, including vehement opposition—as well as strong support. There is an analysis of the Foundation’s financial plight, a review of the major court cases over the decades, and a characterization of the fervent reactions following the court’s decision to allow the move to take place.
The monograph is recommended for a broad audience, including those interested in art and art collecting, the role of art in education, and the development of cultural institutions.
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Today's Super Deal! |
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The Cabinetmaker’s Account
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English joiner John Head (1688–1754) immigrated to Philadelphia in 1717 and became one of its most successful artisans and merchants. However, his prominence was lost to history until the discovery of his account book at the Library of the American Philosophical Society.
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