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The House of Barnes: The Man, The Collection, The Controversy (Memoir Vol. 266) John Milton’s Roman Sojourns, 1638-1639: Neo-Latin Self-Fashioning: Transactions, APS (Volume 109, Part 4)
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The House of Barnes John Milton’s Roman Sojourns
The House of Barnes: The Man, The Collection, The Controversy is a beautifully written study of the extraordinary art collector and volatile personality Albert C. Barnes.  The book places him in the context of his own era, shedding new light on the ideas and movements (about art collecting, education, and aesthetics) that shaped so much of his thinking.

The Barnes’ major holdings of largely post-impressionist art include more than 800 paintings, with a strong focus on Renoir (181 canvases), Cézanne (69), Matisse (59), and Picasso (46 paintings and drawings). In its entirety, it is the greatest single collection of such art that has remained intact.  

The last chapters of the book address the controversial events surrounding the Barnes Foundation’s move to Philadelphia, including vehement opposition—as well as strong support. There is an analysis of the Foundation’s financial plight, a review of the major court cases over the decades, and a characterization of the fervent reactions following the court’s decision to allow the move to take place.

The monograph is recommended for a broad audience, including those interested in art and art collecting, the role of art in education, and the development of cultural institutions.
This study examines the impact of Rome and its vibrant culture upon Milton in the course of two two-month sojourns in the city in 1638-1639. Focusing on his neo-Latin writings pertaining to that period, it presents new evidence of the academic, literary, and musical contexts surrounding Milton’s proactive integration into seicento Rome. Highlighting Milton’s self-fashioning as one who was hospitably embraced by Catholic Rome, this volume traces his networking with distinguished Italian humanists (upon whom he left no slight an impression). Not least, we read of Milton’s attested presence in the hub of Catholicism, the Vatican itself, and his language is fulsome, even excited.
Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4) Against Time: Letters from Nazi Germany, 1938-1939 (Transactions 105, Part 1)
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Some Architects’ Portraits in Nineteenth-Century America Against Time: Letters from Nazi Germany, 1938-1939
This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.

Johannes Höber left Nazi Germany for America in November 1938. His wife Elfriede was unable to leave for another year, after the outbreak of World War II. Fifty years later, their son discovered the letters this brilliant couple exchanged during the tumultuous months they were separated. Against Time: Letters from Nazi Germany, 1938-1939 collects those letters with an introduction, notes and an epilogue that set the letters in the context of their time. Together, the letters portray the intense relationship of a fascinating couple in a critical period in world history.

Biblioteca Angelica ms. 1551: The Origins of Ethnohistorical Illustration of Asia and the Americas Around 1600 in Rome: Transactions, APS (Volume 109, Part 3) Petroglyphs of the Northern Ute Indian Reservation as Interpreted by Clifford Duncan (American Philosophical Society Transactions 105 Part 5)
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Biblioteca Angelica ms. 1551 Petroglyphs of the Northern Ute Indian Reservation
This volume consists of three sets of watercolor drawings, each depicting non-Europea peoples or places in Asia and the Americas. The volume belonged to the famous collector and antiquarian Camillo Massino (1620-1677), and was part of a large donation to the library by his descendants in the 19th century. This is the first in-depth investigation of the three series in terms of materials or manufacture, possible relations to one another or other contemporaneous illustrations, and role in advancing understanding of the depicted peoples. Clues within the drawings, their style and content suggest not only new interpretations, but specific links between and among them, and likely origins, placing them squarely into the most intense period in the early modern era of European interest in these cultures. Illus.
People must be educated about the rock art. That’s how it will be protected. —Clifford Duncan

Clifford Duncan, a Northern Ute elder, believed in educating the public to know and understand the meaning of Ute petroglyphs. By doing this, he believed it would help to preserve and protect them. Over the course of eight years, Clifford and the author visited and revisited all of these sites, discussing what they might represent. Clifford’s father was an Uncompahgre Ute and wanted Clifford to know the traditional homelands of the Uncompahgres in western Colorado. Clifford made special trips all through the Uncompahgre Plateau (by car, on foot, and on horseback), seeking out any Ute petroglyphs and cultural sites. Later in his life, he and the author visited many of the petroglyphs on the Uintah–Ouray Reservation, along Hill Creek and Willow Creek. These petroglyphs were authored by the Uncompahgre and White River Utes.

The interpretations of the petroglyphs of western Colorado and the Uintah– Ouray Reservation are supplemented with cultural and political history to provide a background context to Clifford’s interpretations. In addition, ethnographic information from other scholars provides readers with a deep appreciation as to what makes Ute petroglyphs so unique and fascinating.

Anthropologist Carol Patterson was Adjunct Professor for Colorado Mesa University and Metropolitan State University, Colorado. She is principal investigator for Urraca Archaeology, Montrose, Colorado. Recent publications include Shavano Valley Petroglyph Guide (2015) and “Concepts of Spirt in Rock Art According to Clifford Duncan, Ute Spiritual Elder,” in Sacred Landscapes, One World Archaeology Series (2014). Dr. Patterson’s earlier publications include Petroglyphs and Pueblo Myths of the Rio Grande and On the Trail of Spiderwoman, Pictographs and Petroglyphs of the Southwest (1997).



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Other Presidency: Thomas Jefferson

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Other Presidency: Thomas Jefferson
The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.


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