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The Tower of the Winds in Athens: Greeks, Romans, Christians, and Muslims: Two Millennia of Continual Use: Memoirs, APS (Vol. 270) The Chicago Lawyer Arthur Jerome Eddy and His Eclectic Art Collection: Transactions, APS (Vol. 111, Part 2)
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Tower of the Winds in Athens The Chicago Lawyer Arthur Jerome Eddy
The Tower of the Winds has stood in the shadow of the Acropolis in
Athens for more than 2,100 years. This tall octagonal building, one of
the best preserved monuments from the classical period, was built by the
architect-astronomer Andronikos of Kyrrhos
as a horologion for keeping time. Almost all its features have been
attributed to the period of construction by the Greeks or renovations
made by the Romans. The building, however, was in use almost
continuously for two millennia, which includes Byzantine
and Ottoman phases. Pamela Webb, a classical archaeologist, examines
the Tower throughout its entire functional existence. A series of
appendices helps to put the Tower in broader context for the
post-classical periods. Winner of the 2016 John Frederick Lewis
Award. Illus.
Arthur Jerome Eddy, the Chicago lawyer, author, and art collector, was a legend in his lifetime (1859-1920). He was the first person to buy radically modern paintings by Marcel Duchamp and Francis Picabia at the 1913 Army Show, the first American collector to purchase works by Vasily Kandinsky and Paul Klee, and arguably the first person to write a book about modern art in the U.S. A prominent corporation lawyer, one century later, Eddy is best known as a collector of modern art. This book explores how he began to collect, when and from whom he bought art, which artists he favored, and why he acquired certain works and not others. Illus.
Against Time: Letters from Nazi Germany, 1938-1939 (Transactions 105, Part 1) Wright's Ferry Mansion, 2 Volume Set: Volume 1: The House; Volume 2: The Collection
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Against Time: Letters from Nazi Germany, 1938-1939 Wright's Ferry Mansion: Volume 1: The House; Volume 2: The Collection

Johannes Höber left Nazi Germany for America in November 1938. His wife Elfriede was unable to leave for another year, after the outbreak of World War II. Fifty years later, their son discovered the letters this brilliant couple exchanged during the tumultuous months they were separated. Against Time: Letters from Nazi Germany, 1938-1939 collects those letters with an introduction, notes and an epilogue that set the letters in the context of their time. Together, the letters portray the intense relationship of a fascinating couple in a critical period in world history.

A jewel of early 18th-century house museums, Wright’s Ferry Mansion is also Pennsylvania’s best-kept secret, tucked away along the banks of the Susquehanna River in Columbia, PA. Built in 1738 for the dynamic English Quaker Susanna Wright, the house has been restored and furnished by The von Hess Foundation. These beautiful volumes tell the fascinating history of the house and its original owner Susanna Wright, who was a friend of Benjamin Franklin and other luminaries of early Pennsylvania. It is the only Pennsylvania English Quaker house furnished exclusively to the first half of the 18th century. The collection includes important Philadelphia William and Mary and Queen Anne furniture and English ceramics, metals, glass, and needlework, all pre-dating 1750. The appendix contains the original text of numerous letters, wills, inventories, poems, and two treatises by Susanna Wright and her brother James. Author and art historian Elizabeth Meg Schaefer has been curator of the mansion since 1982. 2-volume hardcover set in slipcase. Vol. 1 describes the house and furnishings; Vol. 1 describes each item in detail. Color photos.
What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V Lunar Calendars of the Pre-Columbian Maya: Transactions, APS (Volume 109, Part 1)
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What Ever Happened to the U.S. Congress's Portraits Lunar Calendars of the Pre-Columbian Maya
One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.
Pre-Columbian Maya interest in the waxing and waning of the Moon is well documented. This rare example of interdisciplinary scholarship brings together a deeply penetrating knowledge of positional astronomy and Maya hieroglyphic writing, two highly disparate areas of study, and synthesizes them into a thorough interpretation of the relationship between astronomical concepts in the Maya codices and monumental inscriptions. Prompted by the recent discovery of the Xulum 10K-2 lunar table, this volume is a logical follow-up to work published in 2011 by the Brickers, “Astronomy in the Maya Codices.” It is a comprehensive study of the Maya lunar calendar. Illus.



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Other Presidency: Thomas Jefferson

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Other Presidency: Thomas Jefferson
The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.


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