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William Lewis, Esquire: Enlightened Statesman, Profound Lawyer, and Useful Citizen
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Wright's Ferry Mansion, 2 Volume Set: Volume 1: The House; Volume 2: The Collection
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Lewis (1752-1819) was a prominent Philadelphia lawyer, Federalist and abolitionist. His descendant Esther Ann McFarland spent years locating records by and about Lewis and compiling this study. “History buffs will be fascinated by this authentic account of the role a leading Phila. lawyer played in shaping the character of our nation while we transitioned from colonial to post-revolutionary times. As an advisor to our Founding Fathers, a champion of individual rights, a strong advocate for abolition of slavery, a state legislator, an inaugural officer of the Phila. Bar Assoc. and Pennsylvania’s first U.S. Attorney and second fed. judge, William Lewis had a major impact on the development of our laws and the balance achieved by our fed. and state governments.” Illus.
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A jewel of early 18th-century house museums, Wright’s Ferry Mansion is also Pennsylvania’s best-kept secret, tucked away along the banks of the Susquehanna River in Columbia, PA. Built in 1738 for the dynamic English Quaker Susanna Wright, the house has been restored and furnished by The von Hess Foundation. These beautiful volumes tell the fascinating history of the house and its original owner Susanna Wright, who was a friend of Benjamin Franklin and other luminaries of early Pennsylvania. It is the only Pennsylvania English Quaker house furnished exclusively to the first half of the 18th century. The collection includes important Philadelphia William and Mary and Queen Anne furniture and English ceramics, metals, glass, and needlework, all pre-dating 1750. The appendix contains the original text of numerous letters, wills, inventories, poems, and two treatises by Susanna Wright and her brother James. Author and art historian Elizabeth Meg Schaefer has been curator of the mansion since 1982. 2-volume hardcover set in slipcase. Vol. 1 describes the house and furnishings; Vol. 1 describes each item in detail. Color photos.
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What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V
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Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4)
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One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.
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This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.
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Dean and the Historian: Their Lives and Times through Letters
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Transformational Journeys: An Ethnologist’s Memoir: Transactions, APS (Vol. 106, Part 5)
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William S. Middleton, a graduate of the Univ. of PA School of Med., taught thousands of students during his 63 years at the Univ. of Wisconsin (UW) School of Med. One of his most important decisions was to establish a medical history dep’t. and appoint as its first chair, Erwin Ackerknecht, the pioneering medical historian. The correspondence between the dean and the historian began in 1947 and continued until 1974. Both men fought for causes they believed in: Middleton for improved veterans’ healthcare, better training of physicians, and the establishment of medical libraries; and Ackernecht for a social view of medicine and rejection of fascism in education. The letters show how these two outstanding men viewed the world and viewed themselves, as they discuss their daily lives and concerns, and above all, their friendship. Illus.
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This is the professional memoir of an ethnologist, who studies the cultures and languages of ethnic groups, in the present and in the past. Victoria R. Bricker’s journeys -- from Hong Kong to Shanghai during World War II, to the U.S. after the war, to Germany, Harvard, southeastern Mexico, and eventually to New Orleans -- influenced her choice of ethnology as a career and shaped that career over 50 years. Ethnology served as the stepping stone for intellectual forays into other related fields, such as linguistics, ethnohistory, epigraphy, and astronomy, all focused on the Maya people of southern Mexico and Central America. Bricker, a Professor Emerita who holds several other positions, is the author, with her husband, Harvey M. Bricker (1940-2017), of “Astronomy in the Maya Codices.” Illus.
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Today's Super Deal! |
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Other Presidency: Thomas Jefferson
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Our Price: $15.00 Sale Price: $10.00 You save $5.00!
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The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.
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