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Lunar Calendars of the Pre-Columbian Maya: Transactions, APS (Volume 109, Part 1) Of Elephants & Roses: French Natural History, 1790-1830: Memoir 267
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Lunar Calendars of the Pre-Columbian Maya Of Elephants & Roses:
Pre-Columbian Maya interest in the waxing and waning of the Moon is well documented. This rare example of interdisciplinary scholarship brings together a deeply penetrating knowledge of positional astronomy and Maya hieroglyphic writing, two highly disparate areas of study, and synthesizes them into a thorough interpretation of the relationship between astronomical concepts in the Maya codices and monumental inscriptions. Prompted by the recent discovery of the Xulum 10K-2 lunar table, this volume is a logical follow-up to work published in 2011 by the Brickers, “Astronomy in the Maya Codices.” It is a comprehensive study of the Maya lunar calendar. Illus. This award-winning illustrated book explores the fascinating history of the natural sciences in the turbulent years of post-revolutionary and Restoration France, from Empress Josephine’s black swans and rare Franklinia tree to a giraffe that walked 480 miles across France to greet the king. It is the catalogue for an international loan exhibition held in 2011 at the APS Museum in Philadelphia and the record of an associated interdisciplinary symposium held at the American Philosophical Society (APS) on December 1-3, 2011. The essays, commentaries, and discussions present new perspectives on French natural history, its influence on French culture, and its ties to the natural sciences in North America. Contributors include art historians, historians of science, and scholars of French literature, history, and culture. Illus.
Transformational Journeys: An Ethnologist’s Memoir: Transactions, APS (Vol. 106, Part 5) The Spirit of Inquiry in the Age of Jefferson: Transactions of the American Philosophical Society Volume 110, Part 2
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Transformational Journeys: An Ethnologist’s Memoir: Transactions, APS (Vol. 106, Part 5) The Spirit of Inquiry in the Age of Jefferson
This is the professional memoir of an ethnologist, who studies the cultures and languages of ethnic groups, in the present and in the past. Victoria R. Bricker’s journeys -- from Hong Kong to Shanghai during World War II, to the U.S. after the war, to Germany, Harvard, southeastern Mexico, and eventually to New Orleans -- influenced her choice of ethnology as a career and shaped that career over 50 years. Ethnology served as the stepping stone for intellectual forays into other related fields, such as linguistics, ethnohistory, epigraphy, and astronomy, all focused on the Maya people of southern Mexico and Central America. Bricker, a Professor Emerita who holds several other positions, is the author, with her husband, Harvey M. Bricker (1940-2017), of “Astronomy in the Maya Codices.” Illus. In commemoration of the 275th anniversary of the American Philosophical Society’s founding in 1743 and the birth of its long-time president, Thomas Jefferson (1743–1826), the APS Library, along with the National Constitution Center, the Robert H. Smith International Center for Jefferson Studies at Monticello, and the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania held a symposium in June 2018 that explored the history of science, knowledge production, and learning during the Age of Jefferson. The volume contains papers from many of the presenters at the symposium. The chapters touch on an enormous range of topics and fields, much like Jefferson's own intellectual life. Also much like Jefferson, they are international in scope. Subjects range from inoculation to animal magnetism to Jewish migrants in the eighteenth century. Both books are a testament to the mission Jefferson served throughout his life and that both institutions still aim to serve today: “to promote useful knowledge.”
The Art of Revolutions: Transactions of the American Philosophical Society Vol. 109 Part 5 What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V
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The Art of Revolutions What Ever Happened to the U.S. Congress's Portraits
The American Philosophical Society exhibition, Curious Revolutionaries: The Peals of Philadelphia (April-December 2017), Curated by Andrew W. Mellon Postdoctoral Fellows  Drs. Diana Marsh and Amy Ellison, offered visitors a look at the lives, accomplishments, and legacies of Charles Willson Peale and his talented family. Expanding on the exhibition, "The Art of Revolutions" conference, cosponsored by the American Philosophical Society , the Museum of the American Revolution, and the Phildelphia Museum of Art, explored the role of imagery in infulencing and giving meaning to the political wrevolutions that defined the late 18th and early 19th centuries. The conference was held October 026-28, 2017, at the American Philosophical Society. Included here is a selection of the talks presented at the conference, revised and updated. The volume also contains an introduction by Cathy Kelly and compelling preface by Patrick Spero, Librarian and Director of the APS Library. One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.



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Other Presidency: Thomas Jefferson

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Other Presidency: Thomas Jefferson
The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.


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