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Speaking in Tongues: APS, Transactions (Vol. 106, Part 4) 2016 Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4)
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Speaking in Tongues Some Architects’ Portraits in Nineteenth-Century America
Raised in a Lebanese mountain village, Fedwa Malti-Douglas came to America at the age of 13. After a rich academic career, Professor Malti-Douglas turned her attention to other muses, publishing a novel (Hisland, SUNY Press) in 1998, and poetry (including a chapbook of visual poetry). Fedwa’s honors include the 1997 Kuwait Prize in Arts and letters, and the National Humanities Medal for 2014, presented in 2015 by President Barack Obama. This volume tells the story of a family torn apart by divorce, death, and exile, and reunited by an inherited form of muscular dystrophy. It has been praised as “a memoir of unpitying clarity,” “deeply moving and arresting,” which “crosses landscapes of sadness, of happiness, of pain and peace, of alienation and acceptance, toward a healing enlargement of the soul.” Color photos. This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.
The Power of Maps and the Politics of Borders: Papers from the conference held at the American Philosophical Society, October 2019: Transactions, APS (Vol. 110, Part 4) Strait Through: Magellan to Cook & the Pacific (An Illustrated History)
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The Power of Maps and the Politics of Border Strait Through: Magellan to Cook & the Pacific
Some papers include: Unpacking the Meaning of Maps, Power, and Boundaries; The Legacy of Major Sebastian Bauman’s Map of the Siege of Yorktown; Mapping Old and New Empires in the Early U.S.; Cherokee Boundaries Above, Below, and Beyond; Cherokee Territoriality, Anglo-American Surveying, and the Creation of Borders in the Early 19th-Century West; Chickasaw and Cherokee Resistance to American Colonization, 1785-1816; Hydrography, Natural History, and the Sea in the 19th Century; William Darby’s “A Map of the State of Louisiana” and the Extension of American Sovereignty over the “Neutral Ground” in the Louisiana-Texas Borderland, 1806-1819; Initiating the World’s Longest Unfortified Boundary; Mapping Inequality, Resistance, and Solutions in Early National Philadelphia. Illus. This beautifully-designed book documents the story and the drama of the unfolding exploration of the Pacific Ocean that followed the discovery of the Strait of Magellan. In rare historic maps, many in full-color, and the original printed narratives of the main European explorers, the volume traces 250 years (1520s-1770s) of both national and personal maritime achievements, as the map of the Pacific slowly developed into its present shape. Chronological maps of the Magellan Strait, Pacific Ocean, and Spice Islands (Moluccas) form the backdrop to the narratives of individual explorers and explorer-pairs: Ferdinand Magellan (d. 1521), Alvaro de Mendaña de Neira (1542?-1595) and Pedro Fernandes de Queirós (d. 1615), Sir Francis Drake (1540?-1596), and many others.
Robert Burns Woodward: Architect and Artist in the World of Molecules What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V
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Robert Burns Woodward: Architect and Artist in the World of Molecules What Ever Happened to the U.S. Congress's Portraits
Robert Burns Woodward was the star of 20th-century organic chemistry. An MIT graduate by age 19, Woodward's ingenious notions about organic synthesis and his artful methodology were astounding. He is most famed for his synthesis of vitamin B12,which he undertook with Albert Eschenmoser, and for the orbital symmetry rules he developed with Roald Hoffmann. This volume presents Woodward's most celebrated papers and lectures--including the famous Cope lecture. Insightful commentaries and rarely seen photographs are also included. One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.



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Other Presidency: Thomas Jefferson

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Other Presidency: Thomas Jefferson
The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.


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