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The House of Barnes: The Man, The Collection, The Controversy (Memoir Vol. 266)
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Petroglyphs of the Northern Ute Indian Reservation as Interpreted by Clifford Duncan (American Philosophical Society Transactions 105 Part 5)
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The House of Barnes: The Man, The Collection, The Controversy is a beautifully written study of the extraordinary art collector and volatile personality Albert C. Barnes. The book places him in the context of his own era, shedding new light on the ideas and movements (about art collecting, education, and aesthetics) that shaped so much of his thinking.
The Barnes’ major holdings of largely post-impressionist art include more than 800 paintings, with a strong focus on Renoir (181 canvases), Cézanne (69), Matisse (59), and Picasso (46 paintings and drawings). In its entirety, it is the greatest single collection of such art that has remained intact.
The last chapters of the book address the controversial events surrounding the Barnes Foundation’s move to Philadelphia, including vehement opposition—as well as strong support. There is an analysis of the Foundation’s financial plight, a review of the major court cases over the decades, and a characterization of the fervent reactions following the court’s decision to allow the move to take place.
The monograph is recommended for a broad audience, including those interested in art and art collecting, the role of art in education, and the development of cultural institutions.
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People must be educated about the rock art. That’s how it will be protected. —Clifford Duncan
Clifford Duncan, a Northern Ute elder, believed in educating the public to know and understand the meaning of Ute petroglyphs. By doing this, he believed it would help to preserve and protect them. Over the course of eight years, Clifford and the author visited and revisited all of these sites, discussing what they might represent. Clifford’s father was an Uncompahgre Ute and wanted Clifford to know the traditional homelands of the Uncompahgres in western Colorado. Clifford made special trips all through the Uncompahgre Plateau (by car, on foot, and on horseback), seeking out any Ute petroglyphs and cultural sites. Later in his life, he and the author visited many of the petroglyphs on the Uintah–Ouray Reservation, along Hill Creek and Willow Creek. These petroglyphs were authored by the Uncompahgre and White River Utes.
The interpretations of the petroglyphs of western Colorado and the Uintah– Ouray Reservation are supplemented with cultural and political history to provide a background context to Clifford’s interpretations. In addition, ethnographic information from other scholars provides readers with a deep appreciation as to what makes Ute petroglyphs so unique and fascinating.
Anthropologist Carol Patterson was Adjunct Professor for Colorado Mesa University and Metropolitan State University, Colorado. She is principal investigator for Urraca Archaeology, Montrose, Colorado. Recent publications include Shavano Valley Petroglyph Guide (2015) and “Concepts of Spirt in Rock Art According to Clifford Duncan, Ute Spiritual Elder,” in Sacred Landscapes, One World Archaeology Series (2014). Dr. Patterson’s earlier publications include Petroglyphs and Pueblo Myths of the Rio Grande and On the Trail of Spiderwoman, Pictographs and Petroglyphs of the Southwest (1997).
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William Lewis, Esquire: Enlightened Statesman, Profound Lawyer, and Useful Citizen
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Of Elephants & Roses: French Natural History, 1790-1830: Memoir 267
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Lewis (1752-1819) was a prominent Philadelphia lawyer, Federalist and abolitionist. His descendant Esther Ann McFarland spent years locating records by and about Lewis and compiling this study. “History buffs will be fascinated by this authentic account of the role a leading Phila. lawyer played in shaping the character of our nation while we transitioned from colonial to post-revolutionary times. As an advisor to our Founding Fathers, a champion of individual rights, a strong advocate for abolition of slavery, a state legislator, an inaugural officer of the Phila. Bar Assoc. and Pennsylvania’s first U.S. Attorney and second fed. judge, William Lewis had a major impact on the development of our laws and the balance achieved by our fed. and state governments.” Illus.
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This award-winning illustrated book explores the fascinating history of the natural sciences in the turbulent years of post-revolutionary and Restoration France, from Empress Josephine’s black swans and rare Franklinia tree to a giraffe that walked 480 miles across France to greet the king. It is the catalogue for an international loan exhibition held in 2011 at the APS Museum in Philadelphia and the record of an associated interdisciplinary symposium held at the American Philosophical Society (APS) on December 1-3, 2011. The essays, commentaries, and discussions present new perspectives on French natural history, its influence on French culture, and its ties to the natural sciences in North America. Contributors include art historians, historians of science, and scholars of French literature, history, and culture. Illus.
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Against Time: Letters from Nazi Germany, 1938-1939 (Transactions 105, Part 1)
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Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4)
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Johannes Höber left Nazi Germany for America in November 1938.
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wife Elfriede was unable to leave for another year, after the outbreak of World
War II. Fifty years later, their son discovered the letters this brilliant
couple exchanged during the tumultuous months they were separated. Against
Time: Letters from Nazi Germany, 1938-1939 collects those letters with an
introduction, notes and an epilogue that set the letters in the context of
their time. Together, the letters portray the intense relationship of a
fascinating couple in a critical period in world history.
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This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.
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