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Against Time: Letters from Nazi Germany, 1938-1939 (Transactions 105, Part 1)
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The House of Barnes: The Man, The Collection, The Controversy (Memoir Vol. 266)
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Johannes Höber left Nazi Germany for America in November 1938.
His
wife Elfriede was unable to leave for another year, after the outbreak of World
War II. Fifty years later, their son discovered the letters this brilliant
couple exchanged during the tumultuous months they were separated. Against
Time: Letters from Nazi Germany, 1938-1939 collects those letters with an
introduction, notes and an epilogue that set the letters in the context of
their time. Together, the letters portray the intense relationship of a
fascinating couple in a critical period in world history.
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The House of Barnes: The Man, The Collection, The Controversy is a beautifully written study of the extraordinary art collector and volatile personality Albert C. Barnes. The book places him in the context of his own era, shedding new light on the ideas and movements (about art collecting, education, and aesthetics) that shaped so much of his thinking.
The Barnes’ major holdings of largely post-impressionist art include more than 800 paintings, with a strong focus on Renoir (181 canvases), Cézanne (69), Matisse (59), and Picasso (46 paintings and drawings). In its entirety, it is the greatest single collection of such art that has remained intact.
The last chapters of the book address the controversial events surrounding the Barnes Foundation’s move to Philadelphia, including vehement opposition—as well as strong support. There is an analysis of the Foundation’s financial plight, a review of the major court cases over the decades, and a characterization of the fervent reactions following the court’s decision to allow the move to take place.
The monograph is recommended for a broad audience, including those interested in art and art collecting, the role of art in education, and the development of cultural institutions.
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James Logan’s “The Duties of Man As They May Be Deduced from Nature”: An Analysis of the Unpublished Manuscript: Transactions, APS (Vol. 111, Part 3)
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Benjamin Franklin, Swimmer: An Illustrated History (Transactions Vol 110, Part 1
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James Logan (1674-1751) of Philadelphia was a luminary with few equals in British America in the first half of the 18th century. He amassed the largest scholar’s library in the colonies, wrote and published on botanical science and optics, was an accomplished mathematician and astronomer, and a master of languages ancient and modern. As the representative of the Penn family in the colony, he was enmeshed in Pennsylvania politics, holding several major positions, including Chief Justice. In 1734 Logan turned his creative drive to moral philosophy, He compiled six or seven chapters, but in the end could not finish his treatise, and they survived only in a manuscript which was found about 1969. This analysis gives Logan’s effort new life.
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The
story of Benjamin Franklin’s lifelong delight in swimming and his
influence in making swimming popular in the western world has never been
told. This book uses Franklin’s love of swimming to examine the
founder’s life, times, and strong, inventive personality through a lens
that historians have previously overlooked. Franklin’s personality
emerges through the lens of swimming. We see him clearly as a leader,
an inventor, and a strong, proud man. As he was in many fields, he was
self-taught. He interacted with family, friends, and acquaintances
through swimming. Swimming also offered him an entrée into British
society.
Franklin discusses swimming in his Letters and in his Autobiography. Friends
and family also comment on his swimming. Primary sources for this book
include Franklin’s writing, that of his contemporaries, and other
artistic and archaeological sources. When Franklin’s grandson Benjamin
Franklin Bache was in his care in France he swam in the Seine. Bache’s Journal constitutes
another important primary source for this book. The escapades of this
engaging literate teenager in France with his grandfather never before
have been published.
In
1968 the International Swimming Hall of Fame honored Franklin with
membership. The citation mentions his various inventions that made
swimming more efficient and his own feats as a swimmer, but most of all
his success in promoting swimming as an essential part of any education.
Benjamin Franklin’s advice about water safety and his conviction that
everyone should learn to swim because it promotes health, hygiene, and safety is still relevant. Swimming has always been “useful knowledge.”
Sarah B. Pomeroy is Distinguished
Professor of Classics and History, Emerita, at Hunter College and the
Graduate School, CUNY. She is also Lady Joan Reid Author in Residence
at Benjamin Franklin House, London, and a
Member of the American Philosophical Society. Widely recognized as a
pioneer in the fields of women’s history and classical studies, she uses
not only textual sources but also artistic and archaeological evidence
in order to reconstruct the past. Her publications include Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity (1975, 1995); Women in Hellenistic Egypt from Alexander to Cleopatra (1984, 1990); Spartan Women (2002); The Murder of Regilla. a Case of Domestic Violence in Antiquity (2007); and Pythagorean Women: Their Lives and Their Writings (2013). Her most recent book is Maria Sibylla Merian, Artist, Scientist, Adventurer (2017). Her
books have been translated into Italian, Spanish, German, and Chinese.
Professor Pomeroy received fellowships from the Ford Foundation, the
Guggenheim Foundation, the Mellon Foundation, and the National Endowment
for the Humanities, and she is an Honorary Fellow of St. Hilda’s
College, the University of Oxford. Like Ben Franklin, she likes to play
the harpsichord and to swim.
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Preserving Useful Knowledge: A History of Collections Care at the APS Library: Transactions, APS (Vol. 111, Part 1)
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What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V
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This book traces the history of collections care at the American Philosophical Society (APS) as revealed through its minute books, treasurers’ receipts, and librarians’ correspondence. It also examines the physical evidence presented by books and documents that were repaired by former restorers and conservators, including Library of Congress manuscript restorer William Berwick, book and manuscript restorer Carol Rugh (later Caorlyn Horton), and the Society’s first full-time conservator, Willman Spawn. Their painstaking repairs, which have not always aged well, present both a vital historical record and an ongoing challenge for today’s conservators. Illus.
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One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.
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Today's Super Deal! |
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Other Presidency: Thomas Jefferson
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Our Price: $15.00 Sale Price: $10.00 You save $5.00!
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The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.
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