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Dean and the Historian: Their Lives and Times through Letters Wright's Ferry Mansion, 2 Volume Set: Volume 1: The House; Volume 2: The Collection
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Dean and the Historian Wright's Ferry Mansion: Volume 1: The House; Volume 2: The Collection
William S. Middleton, a graduate of the Univ. of PA School of Med., taught thousands of students during his 63 years at the Univ. of Wisconsin (UW) School of Med. One of his most important decisions was to establish a medical history dep’t. and appoint as its first chair, Erwin Ackerknecht, the pioneering medical historian. The correspondence between the dean and the historian began in 1947 and continued until 1974. Both men fought for causes they believed in: Middleton for improved veterans’ healthcare, better training of physicians, and the establishment of medical libraries; and Ackernecht for a social view of medicine and rejection of fascism in education. The letters show how these two outstanding men viewed the world and viewed themselves, as they discuss their daily lives and concerns, and above all, their friendship. Illus. A jewel of early 18th-century house museums, Wright’s Ferry Mansion is also Pennsylvania’s best-kept secret, tucked away along the banks of the Susquehanna River in Columbia, PA. Built in 1738 for the dynamic English Quaker Susanna Wright, the house has been restored and furnished by The von Hess Foundation. These beautiful volumes tell the fascinating history of the house and its original owner Susanna Wright, who was a friend of Benjamin Franklin and other luminaries of early Pennsylvania. It is the only Pennsylvania English Quaker house furnished exclusively to the first half of the 18th century. The collection includes important Philadelphia William and Mary and Queen Anne furniture and English ceramics, metals, glass, and needlework, all pre-dating 1750. The appendix contains the original text of numerous letters, wills, inventories, poems, and two treatises by Susanna Wright and her brother James. Author and art historian Elizabeth Meg Schaefer has been curator of the mansion since 1982. 2-volume hardcover set in slipcase. Vol. 1 describes the house and furnishings; Vol. 1 describes each item in detail. Color photos.
The Power of Maps and the Politics of Borders: Papers from the conference held at the American Philosophical Society, October 2019: Transactions, APS (Vol. 110, Part 4) Some Architects’ Portraits in Nineteenth-Century America: Personifying the Evolving Profession: Transactions, APS (Volume 103, Part 4)
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The Power of Maps and the Politics of Border Some Architects’ Portraits in Nineteenth-Century America
Some papers include: Unpacking the Meaning of Maps, Power, and Boundaries; The Legacy of Major Sebastian Bauman’s Map of the Siege of Yorktown; Mapping Old and New Empires in the Early U.S.; Cherokee Boundaries Above, Below, and Beyond; Cherokee Territoriality, Anglo-American Surveying, and the Creation of Borders in the Early 19th-Century West; Chickasaw and Cherokee Resistance to American Colonization, 1785-1816; Hydrography, Natural History, and the Sea in the 19th Century; William Darby’s “A Map of the State of Louisiana” and the Extension of American Sovereignty over the “Neutral Ground” in the Louisiana-Texas Borderland, 1806-1819; Initiating the World’s Longest Unfortified Boundary; Mapping Inequality, Resistance, and Solutions in Early National Philadelphia. Illus. This is the first study devoted to the portraits of nineteenth-century American architects. It is an examination of the way the iconography of such images changed over time to reflect the changing social status of the architect as the profession evolved during the century. Portraits in oil on canvas, drawings, and photography in the text range from Charles Willson Peale’s image of William Buckland in the late eighteenth century to John Singer Sargent’s portrait of Richard Morris Hunt in the late 1890s. The book has been praised as “a unique use of visual resources, supported by formidable primary research and a thorough analysis of secondary literature.” Illustrations.
What Ever Happened to the U.S. Congress's Portraits of Louis XVI and Marie-Antoinette? Retracing the Events that Led to the Conflagration of the Capitol and the Loss of the Pictures on 24-25 August 1814: Tran. of the American Philosophical Society V Speaking in Tongues: APS, Transactions (Vol. 106, Part 4) 2016
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What Ever Happened to the U.S. Congress's Portraits Speaking in Tongues
One of the greatest unsolved mysteries in American political culture is what became of the United States Congress’s state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24–25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet’s Louis XVI and Élisabeth Vigée Le Brun’s Marie-Antoinette (both 1783) and traced through Congress’s successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories—that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812.
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T. Lawrence Larkin is Professor of Seventeenth- to Nineteenth-Century European Art at Montana State University, Bozeman. He has published on aspects of early modern French and American art and culture, with a two-fold interest in the portrait patronage and mythical permutations of Queen Marie-Antoinette and the trans-Atlantic diplomatic gifts and political culture of French, British, and American governments during the Revolutionary and Imperial Eras. His books include a monograph, In Search of Marie-Antoinette: Stefan Zweig, Irving Thalberg, and Norma Shearer (Palgrave-Macmillan), and an edited volume, Politics & Portraits in the United States & France during the Age of Revolution (Smithsonian Institution Scholarly Press), both published in 2019.
Raised in a Lebanese mountain village, Fedwa Malti-Douglas came to America at the age of 13. After a rich academic career, Professor Malti-Douglas turned her attention to other muses, publishing a novel (Hisland, SUNY Press) in 1998, and poetry (including a chapbook of visual poetry). Fedwa’s honors include the 1997 Kuwait Prize in Arts and letters, and the National Humanities Medal for 2014, presented in 2015 by President Barack Obama. This volume tells the story of a family torn apart by divorce, death, and exile, and reunited by an inherited form of muscular dystrophy. It has been praised as “a memoir of unpitying clarity,” “deeply moving and arresting,” which “crosses landscapes of sadness, of happiness, of pain and peace, of alienation and acceptance, toward a healing enlargement of the soul.” Color photos.



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Other Presidency: Thomas Jefferson

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Other Presidency: Thomas Jefferson
The Other Presidency: Thomas Jefferson and the American Philosophical Society, by Patrick Spero, With research assistance by Abigail Shelton and John Kenney.


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